As a songwriter, James Weldon Johnson is best known for "Life Every Voice," which he wrote with his brother, J. Rosamond Johnson. However, during the early 1900s he was part of one of the most popular and successful songwriting teams in America. Johnson, along with his brother, Rosamond, and Bob Cole wrote hit songs for musicals during the ragtime era, 1895-1910. Later, he became one of the most prominent African-Americans in the United States before World War II. He was a diplomat, the author of a novel (The Autobiography of a Colored Man), poet ("God's Trombones"), Civil Rights leader (the first black Executive Secretary of the NAACP), an active member of the Harlem Renaissance during the 1920s and a distinguished Professor at Fisk University. Most of James Weldon Johnson's songs have not been heard for over a hundred years because he wrote during the era of sheet music. Now, for the first time, here is a collection of Johnson's lyrics and an extended biographical essay on him as a songwriter. Don Cusic is Professor of Music Business at Belmont University in Nashville, Tennessee and the author of 25 books. Cusic and Mike Curb produced a double album containing 30 of James Weldon Johnson's songs, recorded by Melinda Doolittle, for Curb Records.

A novel of Nashville during the Civil War.

"Saved by Song" returns to print with its sweeping overview of the history of gospel music. Powerful and incisive, the book traces contemporary Christianity and Christian music to the sixteenth century and the Protestant Reformation after examining music in the Bible and early church.

In America, gospel music has been divided between white and black gospel. Within these divisions are further divisions: southern gospel, contemporary Christian music, spirituals, and hymns. Don Cusic has provided background and insight into the developments of all these rich facets of gospel music. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, to the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the nineteenth century. The twentieth century brought the technologies of recordings and the electronic media to gospel music.

"Saved by Song" is ultimately the definitive and complete history of a uniquely American art form. It is a must for anyone interested in the musical and spiritual life of a nation.

Coming of age story of a Southern boy who dreams of being a country music singer.

As a songwriter, James Weldon Johnson is best known for "Life Every Voice," which he wrote with his brother, J. Rosamond Johnson. However, during the early 1900s he was part of one of the most popular and successful songwriting teams in America. Johnson, along with his brother, Rosamond, and Bob Cole wrote hit songs for musicals during the ragtime era, 1895-1910. Later, he became one of the most prominent African-Americans in the United States before World War II. He was a diplomat, the author of a novel (The Autobiography of a Colored Man), poet ("God's Trombones"), Civil Rights leader (the first black Executive Secretary of the NAACP), an active member of the Harlem Renaissance during the 1920s and a distinguished Professor at Fisk University. Most of James Weldon Johnson's songs have not been heard for over a hundred years because he wrote during the era of sheet music. Now, for the first time, here is a collection of Johnson's lyrics and an extended biographical essay on him as a songwriter. Don Cusic is Professor of Music Business at Belmont University in Nashville, Tennessee and the author of 25 books. Cusic and Mike Curb produced a double album containing 30 of James Weldon Johnson's songs, recorded by Melinda Doolittle, for Curb Records.

Sharecropper's Son is a coming of age story of a Southern boy who wants to be a country singer. Compton Gregory is an unforgettable character, both naive and wise, who will capture your heart as he discovers his life calling in country music.

In 1964 Roger Miller hit the pop charts with "Dang Me"-the same year the Beatles hit America and began the British Invasion. Roger received five Grammys for that year-and six more in 1965 when he had "King of the Road." Roger Miller was not an overnight success-he was a successful country songwriter since 1958, penning hits for Ray Price ("Invitation to the Blues), Jim Reeves ("Billy Bayou" and "Home") and Ernest Tubb ("Half a Mind"). Later, he wrote the score to the Tony Award winning Broadway musical Big River. In this biography, Don Cusic traces the personal life and career of Roger Miller, from Erick, Oklahoma to the Country Music Hall of Fame and shows why Roger Miller was an American Genius. Don Cusic is one of the premier historians of country music. He has written twenty-five books, including two novels. He is currently Professor of Music Business at Belmont University in Nashville, Tennessee.

Elvis was connected to Nashville throughout his career. He recorded approximately 260 songs at RCA Studio B in Nashville and performed in several concerts in the area. During his early years, he often visited his manager, Colonel Tom Parker, who lived in Nashville.

The histories of baseball and country music ran in parallel tracks through most of the twentieth century. America's sport and America's music moved from the fringes to the mainstream, gaining exposure and building heroes, first via radio broadcasts and then on the television screen. Both evolved with American society through wartime, the Civil Rights movement, and into the age of multimillion dollar superstars. Don Cusic offers an engaging and insightful analysis that addresses race, gender, class, ethnicity, business practices and marketing, performance, media, and the cult of celebrity.

The histories of baseball and country music ran in parallel tracks through most of the twentieth century. America's sport and America's music moved from the fringes to the mainstream, gaining exposure and building heroes, first via radio broadcasts and then on the television screen. Both evolved with American society through wartime, the Civil Rights movement, and into the age of multimillion dollar superstars. Don Cusic offers an engaging and insightful analysis that addresses race, gender, class, ethnicity, business practices and marketing, performance, media, and the cult of celebrity.

Discovering Country Music chronicles the incredible evolution of country music in America -- from the fiddle to the pop charts -- and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is today, and why, it is essential to understand how it makes its money -- the basic revenue streams, the major companies involved, and how country artists such as Carrie Underwood, Kenny Chesney, Tim McGraw, Faith Hill, Toby Keith, and Rascal Flatts are booked and marketed. In Discovering Country Music author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.

" It's the Cowboy Way tells the full story of the amazing true adventures of group members Ranger Doug, Woody Paul, Too Slim, and Joey "The CowPolka King" for the first time, from their first gigs at "Herr Harry's Phranks 'N' Steins," in Nashville, to their rise to the top of the Grammy heap. Since 1977, Riders In The Sky has faithfully tended a musical tradition kindled by singing cowboy legends, such as Gene Autry and the Sons Of The Pioneers. Throughout its long career, the group has branded the genre with its own mark, crafting a well-balanced mix of both classic and original western songs -- smooth harmony, hot licks, and comedy. Over the past quarter of a century, and more than 4,500 shows, 290 national TV appearances, 203 public radio shows, nearly 700 Grand Ole Opry appearances, 2.3 million miles on the road, two Grammy Awards, three television series, and 31 albums down the trail, a group that began with a commitment to carry on an American musical tradition has itself become a national treasure.

The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.